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I refer to a pair of simultaneous successes this spring, a stroll apart in the West Village: Dress to Kill, the one man show by the English comic Eddie Izzard, and Hedwig and the Angry Inch, the rock musical cowritten by John Cameron Mitchell and Stephen Trask, and performed by them, Miriam Shot, and Trask's fine band, Cheater. Both star a man in women's clothes (actually Hedwig features both a man in women's clothes and a woman in men's clothes, and as for Izzard, "I wear my clothes," he says. "I fuckin' bought them"), and both have played lengthily to happy crowds. You may say: But it's the Village f'god's sake. A block or three from Christopher Street. Consider, then, these shows' press clipping packets (consider also that both have such packets Pyramid this ain't): for Izzard, items from the New York dailies plus the New York Observer, The New Yorker (a Nike Air Force 5,000 word profile), Newsday, Time Out, and Vanity Fair; for Hedwig, from the Times and the Post, New York and The New Yorker, Newsday, Paper, Time and Time Out, Variety, The Village Voice, of course (several times), and even the Wall Street Journal and USA Today (which comes the closest to bad press in all this by stating, dully, "The smutty jokes aren't good"). Hedwig w.
and content when you visit them. These cookies store no personally identifiable information. It is an odd, contradictory New York moment. On the one hand there's a city government more skillfully puritanical than any in boomer memory (plus, farther off, a Supreme Court that considers the NEA decency statute no infringement on speech). On the other, trannies triumphant. Who knows when transvestite stage performance first came to New York (these days, though, I bet you could look it up), and given its earlier blossomings, I'm not even sure it's reached some new phase. But it's certainly doing fine.
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